Pierre-Auguste Renoir
French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.
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Pierre-Auguste Renoir Madame Monet auf dem Divan oil painting


Madame Monet auf dem Divan
1872(1872) Oil on canvas 54 x 73 cm
Painting ID::  71777 		Pierre-Auguste Renoir
Madame Monet auf dem Divan
1872(1872) Oil on canvas 54 x 73 cm
   
   
     
Pierre-Auguste Renoir Woman with a Parrot oil painting


Woman with a Parrot
1871 Oil on canvas 36 1/4 X 25 5/8 inches (92.1 X 65.1 cm)
Painting ID::  71988 		Pierre-Auguste Renoir
Woman with a Parrot
1871 Oil on canvas 36 1/4 X 25 5/8 inches (92.1 X 65.1 cm)
   
   
     
Pierre-Auguste Renoir Portrait of Jean Renoir as a hunter oil painting


Portrait of Jean Renoir as a hunter
Portrait of Jean Renoir as a hunter 1910(1910)
Painting ID::  71990 		Pierre-Auguste Renoir
Portrait of Jean Renoir as a hunter
Portrait of Jean Renoir as a hunter 1910(1910)
   
   
     
Pierre-Auguste Renoir Jeunes Filles lisant oil painting


Jeunes Filles lisant
between 1890(1890) and 1891(1891) Oil on canvas 56.5 X 48.2 cm (22.24 X 18.98 in)
Painting ID::  71991 		Pierre-Auguste Renoir
Jeunes Filles lisant
between 1890(1890) and 1891(1891) Oil on canvas 56.5 X 48.2 cm (22.24 X 18.98 in)
   
   
     
Pierre-Auguste Renoir Two Girls at the Piano oil painting


Two Girls at the Piano
1892 cjr
Painting ID::  72529 		Pierre-Auguste Renoir
Two Girls at the Piano
1892 cjr
   
   
     
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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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